HUMANITIES 4930-901/6939-901
MONASTICISM AND THE ARTS
Wednesday, 6-9 PM, CPR 355    
JAMES D'EMILIO
ASSOCIATE PROFESSOR OF HUMANITIES
CPR 382/phone: 974-9404/demilio@shell.cas.usf.edu
Office hours: Wednesday 1-3 (or by appointment)

DESCRIPTION

     The idea for this course arises from a simple paradox: monks and nuns separate themselves from the world, subject their bodies to extraordinary trials, and devote considerable efforts to contemplation and spiritual development. Yet medieval monasteries have left us an extraordinary legacy of art and learning: libraries of illuminated manuscripts and liturgical service books, chants accompanying the divine office, majestic buildings decorated with murals and architectural sculpture, sanctuaries adorned with altarpieces and reliquaries, and works in diverse media depicting the lives and works of monks and nuns and the histories of their communities. This course will explore the monastic life through the rich legacy of writings, art works, and music from early Christian times through the Mendicant orders of the thirteenth and fourteenth centuries. In using these varied works to illuminate the monastic life, we will also think about the paradoxical place of learning and the arts within medieval Christian monasticism.
     The first part of the course is organized topically, not chronologically. I highly recommend that you consult reference works, surveys, or additional bibliography to help clarify the overall historical framework for our discussion. Over eight weeks, we will move from the monastic individual to the community and its place in the world. Beginning with the individual, we will read the lives of monastic saints, focusing on two enormously influential texts from both ends of the time frame of the course: Athanasius’ fourth-century Life of Antony, and Bonaventure’s thirteenth-century Major Life of St. Francis (Legenda maior). From these, we turn to the texts and teachings designed for the spiritual improvement of men and women seeking a contemplative life; we read selections from fourth- and fifth-century writers imbued with the traditions of Egyptian monasticism, texts by St. Francis, and an early Franciscan text, the Sacrum Commercium, that focuses on Francis’ devotion to poverty. In the second section on the monastic community, we consider the formal regulation of the monastic life and community through rules, including Caesarius’ Rule for Nuns, the rules of Benedict and Columbanus, and the Franciscan Rules of 1221 and 1223. Then, we look at the organization of monastic communities in time and space: the daily routine of reading and the Divine Office (the monastic liturgy), and the physical and architectural setting of the cloister and its dependencies. Finally, we look at the place of monastic communities in the wider world: the churches that were open to the laity and catered to their religious life; the worldly relationships of monasteries with rulers, wealthy patrons and the secular clergy; the reform movements that sought, periodically, to disentangle monastic communities from the world; and the particular place of women’s communities within a church and society in which men held a preponderance of power and prescribed limited roles for women.  Throughout the course, we will appreciate the diversity and complexity of Christian monasticism over a thousand-year period, and the topical organization will invite us to compare and contrast the early monastic movements of the fourth through seventh centuries with the Mendicant orders of the thirteenth and fourteenth centuries.
     After spring break, we will concentrate on your research papers and roundtables focused on particular problems.

REQUIRED TEXTS
1.Saint Athanasius. The Life of St. Anthony the Great. Willits, Ca: Eastern Orthodox Books.
2. Berman, Constance H. Women and Monasticism in Medieval Europe: Sisters and Patrons of the Cistercian Reform. Kalamazoo: Medieval Institute Publications, 2005
3. La Corte, Daniel Marcel and Douglas J. McMillan.  Regular Life: Monastic, Canonical, and Mendicant Rules. Kalamazoo: Medieval Institute Publications, 2005.
4. Venarde, Bruce. Women’s Monasticism and Medieval Society. Ithaca: Cornell UP, 1997.
5. Habig, Marion A (ed.). St. Francis of Assisi: Writings and Early Biographies.  English Omnibus of the Sources for the Life of St. Francis. Chicago: Franciscan Herald Press, 2000.

PREPARATION FOR CLASS
     Given the small size of the class, it is important to come ready and willing to participate. Read actively. First, be sure to get an overview of the week’s assignments, and consult the notes that I will post on the website. Then, as you read, select issues and questions that are of interest. Be ready to ask questions, make comparisons among the assigned texts, and draw together material from different parts of the course. It is completely appropriate - and highly recommended - to look for issues and problems in the assigned readings that may relate to your own paper topic, and come to class prepared to raise and discuss them. Find themes within the course that interest you, and pursue them through the weekly discussions and your own paper.    

ASSIGNMENTS AND ASSESSMENT

Your final grade will be based on the following components:
1. Class participation (general): 30%.  A precondition for effective participation is keeping up with the assigned readings and, as the course progresses, working on your own research project in a way that contributes to the class. I am looking for an informed participation in the class discussion that reveals insights into the assigned works, an effort to make connections among the diverse materials of the course, an ability to deal critically with different types of sources, texts, and works of art, and an interest in tackling broader issues and historical problems about medieval monasticism and the arts. I expect participation to be constructive, in that we will work together to develop each other’s ideas and answer one another’s questions.
2. Structured participation (reports/roundtables): 20%. Periodically, I may ask you to report briefly (10-15 minutes) and/or lead a discussion on one particular aspect of the readings. In the second part of the course, we will schedule one, two or three roundtables in which each person will be responsible for reporting on one facet of an overall problem. One example might be considering and comparing the provisions for dress, diet, and punishment in a selection of monastic rules, with each student focusing one topic or one rule.
3. Term paper: 50%. You will write a 20-25 page term paper on a topic of your choice (within the general parameters of Christian monasticism in the Middle Ages). The paper will be completed in stages, and you will be assessed on your progress on the paper throughout the term. A paper topic and annotated bibliography will be due by February 22; a first draft will be due by April 5; the final paper will be due by MONDAY, May 1 - no extensions. I will provide more complete guidelines for the paper by February 1.
****ANY WRITTEN MATERIAL WHICH YOU SUBMIT IN THIS COURSE MUST BE YOUR OWN. PLAGIARISM IS GROUNDS FOR FAILURE IN THE COURSE - if you have questions about proper citation of sources, err on the safe side or consult with me.***

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