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The
Auditory System
The
AUDITORY STIMULUS
Pressure
waves created by vibrating objects, transmitted through air medium
Condensed and rarified air molecules (no sound in space)
Travels at 340 meters/sec in air (1,500 meters/sec in water)
Sound wave properties
Pure tone is represented by mathematical function - sine wave
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Physical
Property
|
Perceptual
Quality
|
| Frequency
(Hz - cycles/sec) |
Pitch |
| Amplitude
(dB = 20log p/p0) |
Loudness |
| Complexity |
Timbre |
Timbre:
2 tones w/same loudness, pitch, and duration but can sound different
dB scale makes wide
range more manageable
Most natural sounds are made up of many frequencies
periodocity: regular repetition of pressure changes
Human frequency range about 20-20K Hz
Fourier analysis and sound
- sine wave with the lowest frequency is the fundamental frequency
(first harmonic)
- the other sine waves are the tone's harmonics
- acomplex waveform can be broken down by Fourier analysis & represented
by a Fourier frequency spectrum
- frequency
& amplitude are represented
440 880 1320
- harmonics are all multiples of the fundamental frequency
AUDITORY ANATOMY
& PHYSIOLOGY
| OUTER
Ear |
MIDDLE
Ear |
INNER
Ear |
| -
pinnae & auditory canal |
-
eardrum (tympanic membrane)
- ossicles (malleus, incus, stapes) |
-
cochlea |
PARTS of the EAR
pinnae help to funnel sound and play role in sound localization
Auditory canal
enhances intensities of sound waves at 2-5000 Hz by its property of resonance:
sound waves bouncing back from end of canal at (resonance frequency of
3,400Hz) reinforce the incoming waves
Ossicles -
malleus is set into vibration by tympanic membrane, to incus, to stapes
which hits the membrane covering the oval window of the cochlea
Ossicles transmit sound vibrations from air to liquid (w/o them, 97% of
sound would be reflected away)
<<<
FIGURE: Parts of the Ear >>>
Cochlea has
cochlear partition separating the two primary chambers, scala vestibuli
and scala tympani
- cochlear partition contains the organ of Corti,which sits on
the basilar membrane and consists of hair cells, tectorial
membrane
<<<
FIGURE: The Cochlea >>>
2 types of hair cells
- inner and outer hair cells, synapse w/dendrites of auditory
nerve
Sound cause pushing and pulling of cochlear partition, vibrates at same
freq as stapes
- basilar membrane moves up and down, tectorial membrane moves back and
forth, causes cilia to bends
- Outer cells physically touch overlying tectorial membrane
- Inner cells free to "go with the flow"
<<<
FIGURE: Cochlea & Hair Cells >>>
- both have cilia
connected by tip links, at point of attachment there is a membrane channel
- auditory hair cell resting potential at -160mV (lots of K+ outside)
- slight resting tension on tip link allows small amount of K+ and Ca2+
to diffuse into cilium
- stretch of tip link allows all channels to open, membrane depolarizes,
NT release increases
- in opposite direction tip link slack, no channels open, NT release decreases
<<<
FIGURE: Transduction in the Hair Cells >>>
CENTRAL AUDITORY
PATHWAYS
From auditory nerve mostly contralateral projections, synapse on:
Cochlear nuclei
--> Superior Olive --> Inferior Colliculus -->
MGN --> Auditory cortex
(medulla) (tectum) (thalamus) (temporal
lobe; A1, A2)
Input to cochlear nuclei:
95% from inner hair cells, 5% from outer hair cells
- But inners are only 29% of hair cell population
Mutant mice w/out inner hair cells appear deaf
- Outer hair cells demonstrate a motile response, mechanically amplifies
basilar membrane vibration
- destruction of outer hair cells causes decrease in inner hair cell response
NEURAL
CODING IN AUDITION
CODING for FREQUENCY
PLACE CODE and TIMING CODE
Place Code: diff. freq are signaled by neurons in diff. places
in the auditory system; diff. placement of receptors in cochlea
Georg von Bekesy (work begun 1928, Nobel prize in 1961)
How does basilar membrane vibrate in response to diff frequencies?
Studied two primary ways:
Human Cadavers & Physical Models of Membrane
- generated signals and watched the movement of membrane with a microscope
2 facts built into model:
- base is 3-4X
narrower than apex
- base is 100X
stiffer than apex
- Found traveling
wave motion and the envelope of the traveling wave (the maximum
displacement)
- concluded that the peak of the wave is a function of sound wave
- greater displacement of the membrane = greater firing rates, bending
of hair cells there
Low freq cause max. vibration at apex, higher freq
cause max. vibration nearer the base
Physiological Evidence
for Place Theory
Tonotopic maps: an orderly map of frequencies along the length
of the cochlea
electrophysiological recording confirms- high freq=base, low freq=apex
Frequency tuning curve: plot of senstivity (dB required for small
response) X freq (kHz)
characteristic freq: freq. a hair cell or auditory nerve fiber
is most sensitive to
*
* * THE FOLLOWING PARAGRAPHS INDICATED LIKE THIS WILL
NOT BE ON THE EXAM!!! * * *
Psychophysical Evidence for Place Theory
Masking: presence of one sound reduces our ability to hear another
sound
Masking stimulus (noise, or white noise), contains large # of frequencies
e.g. 365-455Hz, bandwidth =90Hz (range), center freq = 410Hz (mean)
Masking Experiment:
1) Measure threshold of diff frequencies
2) Re-measure in presence of masking white noise
- What effect does the mask have on test tones of diff freq.?
- Results: Masking tone affects freqs above it (higher freqs) more than
below it
*Reflects asymmetrical vibration pattern of basilar membrane*
*High intensity masking noise = greater vibration at base (high freq end)
of basilar membrane*
Psychophysical Tuning Curves: plot of mask intensity X mask frequency
Experiment:
1) Low intensity test tone at constant frequency
2) Present series of masking pure tones; measure mask intensities (dB
SPL) that make test tone barely audible
- How loud do diff mask freq have to be to make the test tone barely detectable
(at its threshold)?
- Results: Low dB masks will only affect test tone if freq is at or near
test tone's freq
if mask at freqs above or below test tone, mask intensity must be high
*Mask only affects small range of frequencies*
*Shows that sound perception depends on multiple, narrowly tuned fibers
operating across freq range*
Freq. on Auditory
Cortex represented by
- Tonotopic surface maps, columnar organization (perpendicular electrode
track)
Timing Code:
freq of stimulus is directly represented by freq of nerve firing
Rutherford (1886): 3,000Hz = 3,000 impulses/sec by nerve fiber
Volley principle: high freq stimuli could be signaled in the firing
rates of several nerve fibers which are phase locked to different peaks
of the sound wave
Does occur early in the auditory pathways, weak at auditory cortex
Neural
Response to Complex Stimuli
- Cells have been found in auditory cortex that do not respond to pure
tones or tone combinations, but will respond to complex sounds (tearing
paper, keys jingling)
Some cells respond only when tone shifts freq (low to high or vice versa)
frequency sweep detectors: respond well to freq changes but poorly
to constant tones
monkey "call" neurons in A1 and A2 (implications for special
human speech neurons?)
Efferent feedback (e.g., superior olive to hair cells) could function
to:
- decreases sensitivity of inner hair cells (dampens response)
- reducing effect of background noise
- focus attention on one stimulus (auditory attention)
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